Douglas Dunn
Disappearances… And A Portfolio
From Tether 3, page 77
From the late ’70s into the ’90s Dunn had an ongoing dance company with continuous work in the US and Europe. Then money and invitations waned. The first version of Disappearances, 1994, was a witty cri de coeur, dancers as fretful lambs inserting themselves into the maw of our mercantile machine. This 2016 version is taking place in the same two bank plazas and is structurally the same piece, but this time Dunn teased out a wider range of conceptual insinuations.
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Tether 3 contains Erik La Prade’s discovery of unpublished poems by elusive Harlem Renaissance poet Katherine Tankersly Young; Oliver Gerrish’s in-depth look at a controversial masterpiece by English Arts and Crafts architect Edgar Wood; new prose poems by Richard Chammings; a portfolio of Altoon Sultan’s sublime geometric paintings; Patrick Neal’s studio visit with Scott Schnepf; Trevor Winkfield takes a look at a medieval embroidery’s strange magic; an extensive portfolio and new text piece by bewitching choreographer/dancer Douglas Dunn; Maya Pindyck’s visual and written response to a work by Naomi Shihab Nye; Robert Melville’s essay on de Chirico’s paintings made between 1911–17; a portfolio of Win Knowlton’s winsome sculptures and drawings; Elena Berriolo contemplates Matisse and the sewing machine; and Paul Hammond’s in-depth look at the pioneering films of Segundo de Chomón.
Printed in the USA
Edition of 500
72 color and 27 black and white images
Item Weight : 0.71 pounds
Paperback : 164 pages
ISBN: 978069285695651800
Product Dimensions : 6 x 0.5 x 8.25 inches
Publisher : Sienese Shredder Editions; Pap/Com Edition (2017)
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